On the go

The no-makeup makeup seems to be all the rage these days, with celebrity photos popping up bare-faced. Some still pretty, some surprisingly even prettier, some not so much..

Elizabeth Olsen
Snooki
Lindsay Lohan

But what if you can’t afford it? I know with the easy access to phone cameras and instant sharing, I wouldn’t dare. Here’s a quick 5 minute fix to make you and I less camera shy.

First of all, prepare beforehand and keep your brows groomed. If you absolutely don’t have time or simply can’t do it yourself, have it professionally done. Then simply maintain it by removing any growth. Keep a tweezer near your toothbrush and make it part of your nightly routine.

Something just as important is to moisturize. If your moisturizer has sun protection better. If it is tinted, then that is best! The Balm’s Balm Shelter Tinted Moisturizer SPF18 does all these. Dab dots on your forehead, cheeks and chin and spread in an upward motion.

 

 

 

For a mattifying finish, try Smashbox Photofinish Foundation Primer SPF15 with Dermaxyl Complex. Use the tinted moisturizer and then the primer and you double the purpose and compound its sun protection.

We’re down to two minutes!

Next up, liven up the face with color. A quick way is to use The Balm’s Stainiac Tinted Gel Blush which works for lips and cheeks. That way you won’t have to worry about matching cheek and lip color. Line up three dots of the product on each cheek and quickly spread. Then dab on your lips and pucker up. It will give the most natural, born-with-it color into your face.

For extra moisture and a healthy plump shine, dab light gloss on your lips and you’re out the door.

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The Deal with Primers

“Do I really need it? Which one should I get? What is it really for?” I get asked often. Here’s what I think about the top makeup primers available at Beauty Bar Philippines.

First of all, KNOW YOUR SKIN TYPE.

If you have dry skin, try a hydrating primer. It prevents flaking which makes your foundation look uneven. It’s also handy to travel with when the stress of long flights and sudden change in temperature takes a toll on your skin.

 For oily skin, try a lightweight mattifying primer. You don’t need a lot, about a pea-size amount spread around your face, concentrating on the oilest parts of the face: forehead, nose and the corners of the nose. Try mixing it in with your favorite liquid foundation for a barely-there makeup look.

KNOW YOUR SKIN CONDITION

If you have sensitive skin, use a light-weight primer that is free of talc, perfumes and chemical dyes. It’s great for pregnant women who don’t want to worry about unnecessary ingredients.

When going through skin treatments that leave your complexion redder than usual, or if you fell asleep under the noonday sun a day before taking your graduation picture ( I speak here from experience), use a color correcting primer. In this case, a green-tone will neutralize that redness in the skin.

A pink/lavender-toned color corrector will liven up pale and sallow skin, which explains the popularity of BB Creams particularly in the Asian market. And if you have dark spots, a yellow-tinted primer is for you! It will neutralize the darkness and even out your skin tone.

Lastly, KNOW THE DESIRED MAKEUP EFFECT: luminous vs. matte

A luminous skin finish will diminish the appearance of lines while a matte skin finish a more flawless, airbrushed look. I usually mix a pearlized primer with a liquid foundation so it doesn’t look overly luminous or oily, especially on camera.

So, do you really need a primer? Honestly, when in a rush, it’s one of the first things skipped, but always have it in routine for special dress up days or when I know I’m going to need to look my best the whole day.

Let confusion be gone about foundation primers and try one! Test drive your favorite foundation first without the primer. See how smooth it spreads, how long until you need a touch up. Then try it with a primer and compare. If you don’t have the luxury of a trial period, try it on the back of your hand.

ck one Color Collection

Ah grunge. This brand has always had deep roots in my… olfactory nerves. A whiff of the unisex fragrance takes me back to 1994 when the most stressful feat to face was homework. So it wasn’t absurd that it caught my attention when launched as an independent brand early in 2011 as cK one.

And last month ck one launched its color collection, which I have yet to try but already think I love because of it’s philosophy on self-exploration and enhancing what exists already, rather than transformation or dramatization. Read more on the launch by The Moodie Report here.

Despite the discontinuation of the Calvin Klein Collection, a makeup range by Unilever Cosmetics International in 2003 and again by Markwins in 2008, the ck one following might be more welcoming to its simplified approach to beauty, embracing individualism and defying stereotypes. It is said to be authentic, confident and cool – all core values of the wider ck one brand.

I am especially eyeing the handy foundations in capsule-like packaging, perfect for tossing in your tote on those don’t-think-just-say-yes travel plans. Knowing it comes in SPF is pretty nifty too.

2012 Oscar Nominees for Best Makeup: The Iron Lady

The movie title, The Iron Ladydescribes the former British Prime Minister Margaret Thatcher, played by Meryll Streep.

Nominated for an Achievement in Makeup Oscar on January 24 were J. Roy Helland, an Emmy award winning makeup artist/hairstylist for Angels in America and prosthetic designer Mark Coulier, who won Emmy Awards for Arabian Nights and the 1998 Merlin.

It required an old age makeup to 86 years. To do so as perfectly as Mark’s team did, they used PlatSil gel 10 silicone prosthetic pieces made with Smith’s theatrical deadener at 170% softener.

The neck appliance had to be soft enough to get a good stretch but compressed without buckling, which is all about putting the edges in the right place and painting into the skin in the right way, getting the right softness of silicone.

The pieces were sculpted by Barrie Gower who helped apply the makeup everyday filming, run by Leon Smickle and pre-painted by Zoe Marsden with oil colors and silicone.

 

The makeup also included a gelatin nose piece, which was also used in the younger Thatcher scenes, since gelatin is slightly firmer and would be more appropriate for that part of the brow. Silicone moves and wrinkles.

The forehead was free of prosthetic and stipple but instead did a lot of painting in Skin Illustrator. Bondo appliances were used to age underneath the eyes, wig roots are dyed slightly grayer, and old age stipple was used on the hands.

The process took 2 hours and 20 minute applied 46 times: the old age makeup 23 times, young 23 times.